[. . . ] How to connect a plug The wires in the mains lead are coloured in accordance with the following code: BLUE ­ "NEUTRAL" ("N") and BROWN ­ "LIVE" ("L"). As these colours may not correspond with the colour markings identifying the terminals in your plug, proceed as follows: · The BLUE wire must be connected to the terminal which is marked with the letter "N" or coloured BLACK. [. . . ] ­ To clean your set from fingerprints, dust and dirt, use a clean and soft damp cloth or chamois leather. ­ Avoid exposing the clock radio to rain, dampness and extreme heat to prevent a safety hazard as well as damage to the set. Clock display The time is shown and the display also indicates whether you have switched on the alarm(s), and these indicators will light up respectively next to ALARM 1 and ALARM 2 on the display: 1. With 7 pressed , the time will increase rapidly from minutes to hours. ­ Pressing 4 will allow you to adjust the time slowly back minute by minute if necessary. We have done our utmost to make the packaging easily separable into three monomaterials: cardboard (box), expandable polysyrene (buffer), polyethylene (bags, protective). Your set consists of materials which can be recycled if disassembled by a specialized company. Simply by adjusting the position of your clock radio, optimum reception can be obtained. This can be useful when, for example, you need to be woken up at a different time during the week and at the weekend. With 7 pressed; the time will increase rapidly from minutes to hours. ­ Pressing 4 will allow you to adjust the time slowly back minute by minute. Release the ALARM 1 or ALARM 2 button and the 7 or 4 buttons when you have reached the correct setting. There are three ways of switching off the alarm: Switching off the alarm for 24 hours 1. ­ The alarm is now switched off for 24 hours and will call again the next day at the same time. [. . . ] problem ­ Possible Cause · Remedy No sound ­ Volume not adjusted. MW/LW broadcast cannot be received ­ Set too close to electrical equipment e. [. . . ]